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“Baraye” – preposition of the year

By December 12, 20223 Comments5 min read6,004 views

Prepositions are the unnoticed and underappreciated workhorses of language. They are “grammar words” that indicate relationships. Essentially, their job is to connect other words with bigger and more important meanings. Because their meanings are fairly general, prepositions rarely change, and they rarely move from one language to another.

Despite being ordinary and unremarkable, a little Persian preposition has caught international attention over the past three months: “baraye” (“برای”), which means “for, because of, for the sake of.”

What makes “baraye” special?

As you might have guessed, the sudden explosion of “baraye” onto the global stage is connected to the ongoing protest movement in Iran, and its brutal repression – similar to the stories of the slogan “Women, Life, Freedom” and of pop stick paddle boats.

Baraye – the anthem of a freedom movement

“Baraye” is the title of a song by a young musician, Shervin Hajipour, released on his Instagram channel on September 28, 2022.

The lyrics of the song were compiled from tweets stating reasons why (“baraye”) tweeters are protesting and what they are protesting against (“baraye”) and protesting for (“baraye”): baraye dancing in the streets, baraye fear when kissing, baraye my sister, your sister, our sisters, and so on. The song culminates in “baraye woman, life, freedom, baraye azadi, baraye azadi.”

Shervin was imprisoned and forced to delete the song from his Instagram channel within 48 hours of its release. However, by then, the song had reportedly already been viewed 40 million times, and it had been posted and reposted on countless other platforms.

Initially restricted to Persian-speaking audiences inside and outside Iran, the song soon reached a global audience. How did that happen?

Baraye at protest rallies

First, the song made it from online spaces to the real world through global solidarity rallies. Played on large screens and over loudspeakers, soon protesters started to sing along, as in this example from Berlin.

Baraye covered by artists around the world

Second, more and more artists started to cover the song. One of the versions with the widest reach was sung by British rock band Coldplay during a performance in Buenos Aires, which was broadcast to 81 countries. Another major live performance by German-Iranian singer Sogand was broadcast on German national TV, where thousands of audience members were shown singing along to the final lines “baraye azadi.” Another popular performance is by a collective of some of the most prominent French artists.

It is not only celebrities who are covering the song. In a true testament to the song’s global inspiration, choirs have taken up “Baraye” for their performance projects. Students of a German high school, for instance, sang “Baraye” during their solidarity day with Iran on November 16. In a regional TV segment about their day of action, they were even shown practicing Persian pronunciation with a language teacher in preparation for the performance. Another version that has been widely shared on social media is the rendition by a choir in the small French town of Chalon-Sur-Saône.

The list could go and on. New cover versions are being released all the time, by artists from many parts of the globe. Only last week, a feminist art collective in Rojava released this haunting version.

Baraye in translation

Third, translation played an important role in making the Persian song accessible to global audiences. Many of the music videos floating around the Internet are fitted with subtitles in languages other than Persian. I’ve seen versions with English, French, German, Kurdish, Swedish, and Turkish subtitles. I’m sure there are lots more.

Beyond translated subtitles, the song has also inspired a wave of reinterpretations in other languages. Australian singer Shelley Segal has produced an English version. Other versions receiving a lot of attention include a Swedish version by pop star Carola Häggkvist, a German version by folk singers Lisa Wahlandt & Martin Kälberer, and a version in Iranian Sign Language by Maleehe Taherkhani. Again, the list could go on and on.

Baraye: the global struggle for freedom and justice

Slate Magazine has just declared that ““Baraye” is objectively the most important song of 2022.”

Singing “Baraye” is a way for the world to express its solidarity with the Iranian people and their struggle for freedom. Their struggle is our struggle, in a world where freedom is under threat everywhere. The most recent report on civil society by the German human rights organization “Brot für die Welt” shows that only 3% of the global population live in truly free societies. Another 8% live in societies with narrowed rights (Australia is in this category). The remaining 89% of the world’s population live in obstructed, repressed, and closed societies. Iranians find themselves in a closed society, along with over a quarter of the human population.

“Baraye” strikes a chord because we all need to ask ourselves what we are fighting against and fighting for on this broken planet that we share:

Baraye dancing in the street; Baraye fear while kissing; Baraye my sister, your sister, our sister; Baraye changing rotten minds.
Baraye shame of poverty; Baraye yearning for an ordinary life; Baraye the scavenger kid and his dreams; Baraye the command economy.
Baraye air pollution; Baraye dying trees; Baraye cheetahs going extinct; Baraye innocent, outlawed dogs.
Baraye the endless crying; Baraye the repeat of this moment; Baraye the smiling face; Baraye students; Baraye the future.
Baraye this forced paradise; Baraye the imprisoned intellectuals; Baraye Afghan kids; Baraye all the barayes.
Baraye all these empty slogans; Baraye the collapsing houses; Baraye peace; Baraye the sun after a long night.
Baraye the sleeping pills and insomnia; Baraye man, country, prosperity; Baraye the girl who wished she was a boy; Baraye woman, life, freedom.
Baraye freedom; Baraye azadi.

Ingrid Piller

Author Ingrid Piller

Dr Ingrid Piller, FAHA, is Distinguished Professor of Applied Linguistics at Macquarie University, Sydney, Australia. Her research expertise is in bilingual education, intercultural communication, language learning, and multilingualism in the context of migration and globalization.

More posts by Ingrid Piller

Join the discussion 3 Comments

  • Dung says:

    Hi Ingrid,
    It’s great to see you again on Language on the move. Thank you for sharing this article. As far as I remember, there was a time the term ‘baraye’ and the singer mentioned in a public group in Vietnam, but I did not understand why people discussed it. Thanks to your article, now I know the reason for that. 🙂

    • Hi Dung,
      good to hear you are back! I hope you had a good break!
      Pleased to hear that ‘baraye’ made it to Vietnam, too, and that the post has been useful 🙂
      Best wishes for the semester and hope to see you around,
      Ingrid

  • PACC says:

    Good job. Thanks

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